On Richard Move’s site-specific work at Governors Island. (The New York Times)
Danceletter 31 →
The latest edition of my irregularly published newsletter (which you can subscribe to here).
A Foray into Dancing at Sea →
A feature story on the choreographers Ani Taj, Sam Pinkleton, and Sunny Hitt and their unexpected foray into cruise ship entertainment. (The New York Times)
Review: Bill T. Jones's Oceanic Vision →
On Jones’s Deep Blue Sea at the Park Avenue Armory. (The New York Times)
Review: 'Nerve Show' →
On Julie Mayo & company at Target Margin Theater. (The New York Times)
The Return of Dance Class →
For the New York Times fall arts preview, a look at the re-emergence of indoor, in-person dance classes in New York.
Real Talk about Money in Dance →
An interview with choreographer Miguel Gutierrez about “Are You For Sale?,” his new podcast exploring “the ethical entanglements between art and money.” (The New York Times)
An Explorer's Art & Wanderings →
An interview with Berlin-based artist Choy Ka Fai about his exhibition CosmicWander, part of the Tanz im August festival. (The New York Times)
An Interview with Felden Krisis →
For my newsletter, Danceletter, a Q&A with the anonymous person(s?) behind the experimental dance meme account @somatic_based_content_only (aka Felden Krisis).
Dance Is Finally Back →
My first piece for Harper’s Bazaar, on the return of live performance and what should be left behind in pre-pandemic times. A companion to Amy Troost’s dance photo portfolio.
Remembering June Finch →
An obituary for dance teacher and choreographer June Finch, who imparted the Merce Cunningham technique to generations of dancers. (The New York Times)
A Celebratory and Scrappy Farewell →
On the Chocolate Factory Theater’s outdoor mini-festival, a goodbye to its longtime home. (The New York Times)